Happy Litha or Summer Solstice, my creative friends! As we bask in the full glory of the sun, let's remember that we, too, have a powerful light within us – our creativity.
Read More5 Ways a Self-Portrait Artist Can Benefit From Using Lensbaby's Obscura
The Obscura optic is characterized by its low-fi and dreamlike aesthetic, which is achieved through the use of pinhole, zone plate, and sieve apertures. These apertures produce images with a soft focus, limited depth of field, and noticeable vignetting. The resulting photographs often have a nostalgic or otherworldly feel, with an emphasis on shapes, forms, and light rather than fine details or sharpness.
Read MoreExpressive Self Portraiture + The Creative Weaver
Registration is closing for Expressive Self Portraiture and The Creative Weaver
Read MoreExpressive Self Portraiture Begins 9/12/22
Expressive Self Portraiture is open for registration. Class size remains small to create a safe space to create in with unlimited support. You'll receive 4+ weeks of a mentorship-type experience.
Using Symbolism in Your Art
Symbolism is an essential tool in creating art with meaning.
Read MoreSelf-Portraits With My Lensbaby Sol 45
My Instagram Shadowban Experience
Recently, I was in a bit of a growth period on Instagram. Things were flowing along smoothly until 2 weeks ago when they suddenly came to a halt.
Read MoreCreating Self-Portraits Using a Long Exposure
In 2016, I found myself in the throes of an identity crisis. Self-portraiture was a tool I began using as a form of healing and self-expression during this difficult time. I was looking for ways to express myself in a way that was unique to me. Through much experimentation, I introduced long exposures into my self-portraiture work. Feeling invisible, I created my "See Me" project as a way to be seen essentially. "See Me" is an ongoing project where I continue to make these past and present stories and versions of myself.
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Creating these long exposures became an integral part of my healing process. I developed this relationship with time and these in-between moments. Knowing that my thoughts, feelings, breath, heartbeat, movement, and life were captured in an image intrigued me. I was drawn to this in-between space where I could reveal pieces of my personal story that felt just as haunted as I did. I was able to step outside of myself and witness myself with fresh eyes. As the exposure time lengthened, I discovered I could create an image with two versions of me; much like the results that a double exposure could produce. This allowed me to see myself as another person and give her the love and forgiveness she longed for. In the end, this project has been an aid in the practice of self-love and self-discovery.
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The below image is the newest edition to the series. This is a self-portrait I took in my backyard using a 10-second shutter speed and my Lensbaby Velvet 56.
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You can view the series here on my website under ‘Projects’ or in the July/August 2021 issue of Shadow & Light Magazine, The Surreal Issue.
If you’re a member of the Click Community, I have a tutorial explaining my process for this. If you have any questions about my process, let me know!
The Importance of Play for Creativity
I've recently had a spark of creativity that has resulted in a new way of creating for me. I've been breathing new life and meaning into self-portraits I have already made. It began with taking a print of a recent self-portrait and poking holes in it. I needed pins and needles of various sizes and some cork board to put behind the printed photo. This technique is something I have wanted to try for years but never took the first step. Next, I found a light to shine behind the print and used my camera to take a picture of the altered print. This was the result.
Another thing I tried was using gold leaf paint. When I shared this next self-portrait on social media, several people thought I had used some type of overlay in Photoshop to achieve this look. Again, this was a print of an older self-portrait I had. I splattered gold leaf paint on top of the print and then photographed the print using my Lensbaby Velvet 56.
For this last one, I used a 2.5-gallon fish tank. I took the printed photograph, submerged it into the tank, and shook the tank to create movement in the water. Then, I took a picture of the picture.
Many viewers assumed my end results were all achieved in Photoshop. The process of making these felt important and therapeutic for me. I wasn't sure how they would turn out and was intrigued by the fact that these photographs would be forever altered and have new meaning. There was a quality of permanence to them that they didn't have before.
Artists Supporting Artists
Do you ever feel lost in a sea of other creatives just like you? The
truth is, it’s all been said, done, and created before, but not by you in
your unique voice and in your authentic way that only you can do. We should
feel comfortable in creating and sharing the art and images that call to our souls!
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I wholeheartedly believe in artists supporting artists. I want to thank each and every one of you for your support. It truly means so much to me. I am in awe of the people who take the time to leave comments, DM me, and email me. It never goes unnoticed or unappreciated.
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What are some ways you’d like to see artists supporting artists? The more we share with each other, the better.
Trial and Error with Self Portraiture
A little background story- I’ve been having my son film and edit some behind the scenes videos for me that I’ll be using in some upcoming materials I’m creating. Remember when I said I’m a shy introvert? Well being in a video = awkward!
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For those that don’t know, I use a dress form that happens to have a couple of wigs and a bear mask on it to take my place in a self-portrait so that I can grab my focus and set up my shot. 🐻 I’ll include a shot of it to give you a better idea. Just scroll to see.
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So as he began to film me, the head of the dress form with both wigs and the bear mask popped off and fell to the ground. As this was happening I bent over to save it when all of a sudden the entire dress form decided to fall and clobber me in the head/face. 😳😖🤣
So after much intense laughter exchanged between the two of us I was able to complete the self portraits all the while extremely happy that it was done and over with and having my fingers crossed that he got enough footage.
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He didn’t.
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So this self-portrait was from attempt #2, which went much smoother, where I tried to be much more present in the moment. 😅
I just wanted to share that it’s not all fairytales and magic. There’s a lot of trial and error, a lot of mishaps, but the process and experience is what it’s all about for me.
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What’s your favorite part? Where do you lose yourself and learn the most? Is it in the editing? Sharing? The actual shoot or the preparation before hand? Share in the comments below and earn bonus points for sharing a mishap 😂