The Intertwining of Inner Guidance, Memories, and Art

Dive into the intricate dance between intuition, memories, and the art they inspire. Discover how each thread weaves a story, guiding us on a journey of self-expression and deeper understanding.

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Creating Self-Portraits Using a Long Exposure

In 2016, I found myself in the throes of an identity crisis. Self-portraiture was a tool I began using as a form of healing and self-expression during this difficult time. I was looking for ways to express myself in a way that was unique to me. Through much experimentation, I introduced long exposures into my self-portraiture work. Feeling invisible, I created my "See Me" project as a way to be seen essentially. "See Me" is an ongoing project where I continue to make these past and present stories and versions of myself.

Creating these long exposures became an integral part of my healing process. I developed this relationship with time and these in-between moments. Knowing that my thoughts, feelings, breath, heartbeat, movement, and life were captured in an image intrigued me. I was drawn to this in-between space where I could reveal pieces of my personal story that felt just as haunted as I did. I was able to step outside of myself and witness myself with fresh eyes. As the exposure time lengthened, I discovered I could create an image with two versions of me; much like the results that a double exposure could produce. This allowed me to see myself as another person and give her the love and forgiveness she longed for. In the end, this project has been an aid in the practice of self-love and self-discovery.

The below image is the newest edition to the series. This is a self-portrait I took in my backyard using a 10-second shutter speed and my Lensbaby Velvet 56.

Sony a7riii | Velvet 56 | f/16 | ISO 50 | SS 10s

Sony a7riii | Velvet 56 | f/16 | ISO 50 | SS 10s

You can view the series here on my website under ‘Projects’ or in the July/August 2021 issue of Shadow & Light Magazine, The Surreal Issue.

If you’re a member of the Click Community, I have a tutorial explaining my process for this. If you have any questions about my process, let me know!

Are you Feeling Supported?

Something that often comes up in my class, Expressive Self Portraiture, is the fear of sharing such deep and personal work while not feeling supported by those closest to us. I always encourage artists to share their work and trust that it will reach the right people at the right time, but this is no easy feat even for some of the most esteemed artists.
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It can feel confusing and even hurtful when the people we are closest to do not show support for our art. Why does it seem to be common to feel more supported by strangers and people you have never met in person? There can be several reasons for this.
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Our art is not for everyone.
I’ll say it again.
Not everyone is going to understand or connect with our work.
Our work can cause uncomfortable feelings for some people.
It may encourage them to face something in themselves that they are not ready to face.
They may think following you is enough.
They may feel intimidated or feel like an outsider to the art world.
They may not know how or feel comfortable interpreting our art.
They have their reasons and whatever they may be, just know that it is about them and not you or your work.
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As artists, we sometimes fall too deep in the trap of external validation. When we don’t see the support we would hope for from friends and family we tend to stay small. We don’t speak up or question it, but instead we hide with our feelings of unworthiness, self-doubt, and imposter syndrome.
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Fellow artists, keep doing what you’re doing and supporting each other. I know what gets put into making personal work. I’m a firm believer in artists supporting artists. I support you and appreciate your support- every comment, like, share, review, and recommendation.
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Thank you!
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Let’s discuss this. Do you find this is something you have struggled with or encountered? I believe it’s much more common than we think.

Sony a7riii | Velvet 56 | f/2.8 | 1/250 | 200

✨ Don’t forget as a Lensbaby Ambassador I can save you 10% on your purchase. You can click this link and use the discount code- wsharon . Tag me on Instagram with any images you make with your Lensbaby gear so I can show my support!

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The Snow Queen

Perfectionism is fear in disguise. How many times have you wanted to do something but told yourself the timing wasn't right or you didn't have enough time? Maybe if ___ happened or ____ then you could begin. Oftentimes, I find the most difficult part with something new is to begin. If we could allow ourselves to just begin, then the rest will unfold. We don't have to be experts to begin.

I’m currently reading Julia Cameron's newest book, The Listening Path. When she teaches, she cues her students to make a list of 10 fill in the blanks. Each one begins with- If it didn't have to do it perfectly, I’d try ____.

My very first thought was paint. I would paint. Thinking of all of the things I would do if they didn't have to be perfect was profound and gave me a lot to journal about. Think of all the things we hold back from in fear of not being good enough. We are depriving ourselves of the very things that will make us thrive!

Let's be brave together and show up and do the work...whatever that work may be.

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Make Bad Art: Letting Go of Perfectionism and Creating With the Intention of Growth

I once came across the phrase, " Perfectionism is another form of procrastination." It took some time and thought for me to wrap my brain around that concept. It's not always easy to admit you're guilty of such things.

How often do we wait for the time to be right before we begin something? What does that even mean? How will we know that the right time is upon us unless we start the work now? Chances are, if we keep waiting for the perfect time, it may never come. We'll always find something in the way.

While we are on the topic of time, how often do you find yourself saying that you have none? Time is what you make of it. Time is always available to us. It's just a matter of what you prioritize. Stating you have none is yet another form of procrastination. I will be the first to admit that I have been guilty of saying this.

We cannot learn something new, let alone master it unless we begin. We need to be okay with being a beginner sometimes. We have to be willing to take the leap or even to take baby steps to make progress. Sometimes, this means making bad art.

I've had my fair share of what I consider to be bad art. My time as an artist consists of much trial and error, and a healthy dose of mistakes and failures. I wouldn't be creating the work I make today had I not been okay with letting go of the outcome and failing.

If you're feeling a pull towards learning or creating something new, I urge you to go for it. Don't wait until you have the perfect camera or the right lens or ideal lighting. I've come across this time and time again and especially while teaching my Expressive Self Portraiture class.

Many women are scared of this class. They can't bring themselves to begin because they fear the judgment of others, they need to lose weight first, or grow out a bad haircut, or find the perfect location, or learn to forgive and love themselves. Whatever that thing is, it is only holding you back from growing. Those things will come in time, but first, you have to make lousy pictures.

Allow me to share a piece of my timeline so you can see my progression.

The year is 2014 and I was newly exploring self-portraiture. That reflection you see in the piano? Everyone loved that. It was sheer luck and completely unplanned. I had no idea of what I was doing. I had no vision for this self-portrait. I just kne…

The year is 2014 and I was newly exploring self-portraiture. That reflection you see in the piano? Everyone loved that. It was sheer luck and completely unplanned. I had no idea of what I was doing. I had no vision for this self-portrait. I just knew that I liked to play the piano and I liked photography.

Another self-portrait from 2014. I began experimenting with slow shutter speeds and garage light.

Another self-portrait from 2014. I began experimenting with slow shutter speeds and garage light.

In 2015 I began to explore a more conceptual route with my self-portraits. This was one of my first attempts at some type of a levitating image. I was laying down on my piano bench and was stiff as a board! I still had no message, but I was allowing…

In 2015 I began to explore a more conceptual route with my self-portraits. This was one of my first attempts at some type of a levitating image. I was laying down on my piano bench and was stiff as a board! I still had no message, but I was allowing myself to try new things.

Another from 2015 where I first began experimenting with tulle and the window light in my small spare room. It’s a tight, small space and I was on the floor for this image. I was beginning to find ways to express and process grief.

Another from 2015 where I first began experimenting with tulle and the window light in my small spare room. It’s a tight, small space and I was on the floor for this image. I was beginning to find ways to express and process grief.

In 2016 I began using vintage dresses and masks. I was looking for ways to portray characters and express my story.

In 2016 I began using vintage dresses and masks. I was looking for ways to portray characters and express my story.

2016- This was the day the rabbit mask arrived. I had no plan or idea of what I would use it for. I put it on and was immediately transformed and inspired to take this self-portrait as a test shot. It became a signature image of mine and it was born…

2016- This was the day the rabbit mask arrived. I had no plan or idea of what I would use it for. I put it on and was immediately transformed and inspired to take this self-portrait as a test shot. It became a signature image of mine and it was born out of a test shot. Imagine if I had waited for an idea or an ideal moment to use this mask?

I created this all time favorite image. Before this image came to be, I experimented with making clouds and really terrible images.

I created this all time favorite image. Before this image came to be, I experimented with making clouds and really terrible images.

Here is one of the failures! With this failure, I knew I was on to something.

Here is one of the failures! With this failure, I knew I was on to something.

2016 was one of my most creative and experimental years. This was a long exposure I made and titled it “Turn Your Back on Me”.

2016 was one of my most creative and experimental years. This was a long exposure I made and titled it “Turn Your Back on Me”.

2017 came and I bought a wig at the Halloween shop. It was another way to add anonymity to my self-portraits. By this time I had my black and white editing down.

2017 came and I bought a wig at the Halloween shop. It was another way to add anonymity to my self-portraits. By this time I had my black and white editing down.

2017 and one of my all time favorite self-portraits to date. I won a giveaway for a dress that belonged to Brooke Shaden. It was torn and tattered and I wasn’t sure how I could possibly use it. Then I made this in my back yard, and got poison ivy fr…

2017 and one of my all time favorite self-portraits to date. I won a giveaway for a dress that belonged to Brooke Shaden. It was torn and tattered and I wasn’t sure how I could possibly use it. Then I made this in my back yard, and got poison ivy from the shoot.

In 2018 I slowed down and became creative in other ways such as writing, yoga, and health.

In 2018 I slowed down and became creative in other ways such as writing, yoga, and health.

I created with more intention in 2018 whereas the years leading up to that I created anything and everything.

I created with more intention in 2018 whereas the years leading up to that I created anything and everything.

2019 brought a new camera and with that, a learning curve. I went from a Canon 5D Mark III to a Sony a7r III with one lens.

2019 brought a new camera and with that, a learning curve. I went from a Canon 5D Mark III to a Sony a7r III with one lens.

In 2019 I have put more thought and care into each self-portrait.

In 2019 I have put more thought and care into each self-portrait.

2019

2019

These are just a small sampling of my growth over the years. There are thousands of images in between these.

Thousands.

The moral of the story is just to do it. Allow the time, space, and practice for your growth. Allow for mistakes, failures, mishaps, and pleasant surprises along the way. Most of us are not prodigies at our craft. We earn it, the hard way.

* Sharon Covert is a teacher and mentor at The Define School. Sharon's courses, Expressive Self Portraiture and The Art of Authenticity are both available through The Define School. For more information email Sharon at sharoncovertphotography@gmail.com or visit The Define School by clicking this link.

Calling All Creatives

Wanted: Creative, emotional Artist seeking her tribe of like-minded Artists.
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My Belief: I believe in creating for self-love, self-awareness, self-discovery, self-reflection, self-guidance, self-healing and introspection. My core belief is that by practicing these things you will become a better person to serve those around you.
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Have you ever been moved by someone else’s art? Have you ever felt connected in some way to another’s magic?
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We, as Artists, are healers.
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My 4 week interactive Expressive Self Portraiture course through The Define School is now OPEN for registration! We will spend 4 weeks online together learning and practicing the tools I give you for creating art for yourself. You will learn how to think outside the box and bring your inner stories to life in a healing and expressive way. In this course I share everything. I hold nothing back.
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Answer the call and join me by clicking THIS LINK for more information. 
I’m so damn excited for this! ♥️

Class beings September 10th! 

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